| | Reviews Guitar One Magazine
"While Trash can do a pretty darn good job of miming a Marshall or faking a Fender, it's the malleable magnificence of the more modern, extreme tones--along with an extremely reasonable price tag--that makes this trash a treasure." Future Music Magazine
"When it comes to slaughtering your sounds, nothing tops iZotope's Trash. Trash is best--and rightly--known as a versatile distortion plug-in. With destructive glee, Trash replicates just about any process that makes clean tones dirty. Fuzz pedals, weird resonant spaces, bit-crushing, sample-rate reduction, bad circuits, vivisectionist EQ--they're all here in spades." User Quotes: "I love Trash! It’s all over Bleed Like Me. We used it on Shirley’s vocals (check out "Boys Wanna Fight”), bass, keyboards, and drums. It sounds really good, but I like the fact that it has a lot of flexible parameters, so you can really custom tune the effect to fit into the track."
Butch Vig - Garbage drummer, Nirvana "Nevermind" producer "With Trash we were able to load up the Worcester Bright Box Model with a slight Low Pass Filter on the top and we got it just like that – undistinguishable from the original clean guitar part made 30 years ago! The flexibility of this plug-in to add spice to an already cool guitar sound is unparalleled! Rock on iZotope!"
Randy Bachman - Guess Who, BTO Features  | | 64-bit internal processing | | | up to 192kHz sampling rate | | | all-purpose distortion plug-in, from subtle to extreme | | | realistic guitar rig simulator | | | multi-band, dual-stage distortion with 48 algorithms | | | 85 speaker cabinet models from vintage to experimental | | | 3 microphone models | | | 36 sweepable filter types—analog, resonant, clean, saturated | | | multi-band compression and gating | | | analog modeling for added warmth | | | extensive delay modeling—analog, lo-fi, tape-style | | | elegant user interface | | | automation support | | | superior stability | | | CPU-efficient | | | comprehensive preset library | | | excellent documentation |
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Multiband, Dual-Stage Distortion
Have you used all the “standard” distortion plug-ins out there, only to find that you still end up with a thin, canned and basically unrealistic sound? Do you wish you could combine the ease of use of the “virtual stack” with the intelligent control of studio effect processors? Trash combines multiband, dual-stage distortion and an intuitive user interface to prove that all distortions are not created equal. Add a little crunch in the midrange without muddying the lows and over-hyping the highs, give the low end some more thump without distorting the top. Go one step beyond standard formats and layer not one, but two types of distortion on each of the four available frequency bands. Plug In and Rock Out
Lose a hundred pounds immediately with the Trash diet: shed pounds of heavy guitar amps, cabinets, and stomp boxes. Trash comes with more components than you could fit in a studio not to mention carry. Trash’s low-latency design means you can take your studio sound to the show. Get the subtle tones of a recorded sound in a live performance. As a bonus, you can forget spending the first half hour of sound check tweaking the knobs on your amp. All you have to do is pull up your preset and go! Turn It Up to 11
We'll give it to you straight: Trash is a killer amp simulator. Now you can get that real overdriven amp sound and still keep the peace with your neighbors. With 85 box models to choose from, you'll never run out of options to get the sound you've been searching for. In addition, we went beyond the normal boxes you find in the music stores. You’ll find Telephones, Clock Radios, Sheet Metal, Plexiglass tubes, Piano cabinets – and those are just a few of the extra models included with Trash. To get the creative juices flowing, we also created a new class of cabinets that don't exist in the material world. When it comes to amp modeling, Trash can be as real or unreal as you want. Not Just For Guitar
Sure, Trash sounds great on guitars, but with the flexibility of multiband distortion, why wouldn’t you want to put everything else through it? Put it on a mixed drum track and all of a sudden, you can put different distortion on the kick, snare and hi-hat. Run your bass through it to get some more crunch without the extra mud. Add it on top of an organ sound for a nice vintage feel. Because Trash was built with many options beyond standard amp simulation, you can really shape your sound and create your signature tone in whatever you do. Check out the Trash Recipe Guides for more specific ideas for your instrument sounds. Beyond Distortion
In addition to amp modeling, Trash has 36 sweepable filters and 6 delays to choose from. The pre-filter lets you add a tremolo, wah, or any number of more exotic effects to your sound. The buzz module gives you 6 different types of delay lines ranging from a clean, crisp digital delay to a gritty, organic tube amplified tape delay. In addition to all the controls you would expect, a “trash” slider lets you adjust the amount of distortion applied to the delayed signal and an output filter lets you shape the wet signal even more. Usability Enhancements: Integrated Preset System
Your sounds are important to you. The integrated preset system in Trash makes it easy to keep track of all the variations and applications of your distortion effects. You can set up folders of presets for individual recordings or instruments and pull them up with a couple mouse clicks. Producers, engineers and sound designers will find this especially useful, since you’re usually dealing with literally hundreds of sounds and effects. Additionally, grab tons of new effect setups at iZotope's preset page. 
Compatibility - Live 4
- Cubase SX 1.0.6 and later (PC/Mac)
- Nuendo 1.61 and later
- Logic 6.4.1 and later
- ACID 4.0 and later
- SONAR 1.0 and Later
- Pro Tools (RTAS/AudioSuite/HTDM)
- other hosts supporting Audio Unit, DirectX, or VST
- M-Audio interfaces
System Requirements | Formats: | Pro Tools 6.4+ (RTAS/AudioSuite/HTDM), VST, MAS, Audio Unit, and DirectX | | | Sample Rates: | up to 192 kHz | | | Internal Precision: | 64-bit | | | Automatable: | Yes (over 175 parameters) | | | OS: | Windows 7, XP, x64, Vista)
Mac OS X 10.4 or later (Universal Binary) | |
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